Oliver Tree - Love You Madly, Hate You Badly World’s First World Tour

Genre-defying artist, producer, and cultural provocateur Oliver Tree releases his highly anticipated fourth studio album, Love You Madly, Hate You Badly, out today via Atlantic Records.

The 17-track project marks Tree’s most ambitious and expansive body of work to date, fully written and produced by the artist himself.

About the album

Spanning a wide spectrum of sonic and emotional territory, Love You Madly, Hate You Badly includes previously released singles “Superhero,” “Joyride,” “Flowers,” “Deep End,” and “All You Ever Wanted,” each showcasing a different facet of Tree’s genre-blurring artistry. The album arrives as a cohesive yet unpredictable statement, reinforcing his reputation for pushing boundaries across alternative pop, electronic, and hip-hop.

Latest focus track

• “Fuck The Whole World” takes center stage following Tree’s recent viral performance of a remix at Coachella during the festival’s highly buzzed Subtronics set.

A worldwide journey

Love You Madly, Hate You Badly is the product of an unprecedented global journey. Over the past two years, Tree recorded the album across seven continents and 82 countries, from Africa to China to Afghanistan. These experiences are embedded throughout the record, with diverse instruments, sonic textures, and cultural influences shaping a sound that is both adventurous and deeply personal. The album stands as a testament to artistic exploration without limits.

Documentary from Antarctica

In addition to the album, Tree is set to release a feature-length documentary chronicling the making of the project in Antarctica, offering fans an inside look at one of the most unconventional recording processes in recent memory.

More than music

With a globally recognized identity and a reputation for blending satire, performance art, and music, Oliver Tree continues to challenge expectations at every turn. His work draws on absurdist, Andy Kaufman-esque “meta-humor” while dissecting modern culture’s fixation on fame and digital identity—creating a multimedia experience that extends far beyond music.